I’ve been reading a lot of e-books recently.
I don’t mean books that have been ported to the electronic format. I mean books
that were never in hardcopy to being with. These are written by a new class of
writers. I’m talking about the self-published, the
quick-to-embrace-new-technology, the guys who write and upload and repeat.
What’s remarkable is how simple
these stories are. We’re restricted to a handful of characters, only the barest
of descriptions, context-setting as an afterthought, and just enough dialogue
to get the ball rolling. These writers have a style, and it’s very pure. They’re
like those guitar-bass-drum power trios that really crank it out. You listen to
them, and you think – it’s not that hard. It rocks.
One such hallmark of this story telling style
is its immediacy. The authors jump right into their tale. There’s no boring
exposition. There’s no obligatory family-scene-before-the-massacre. They just
go right to the massacre. I found it a little jarring, at first, but then, I
found myself appreciating it.
At this point, aren’t we all a little jaded?
Even in today’s age of cross-genres and combo-pack stories, pretty much every
reader beyond grade school knows what to expect. A thriller starts with a sensitive,
heart-warming portrait of that person most close to the hero’s heart. Your first
thought: that person’s doomed. Then you have to keep reading until the
inevitable moment. It’s painful for the character, but worse, it’s boring for
you. These e-books, like they’re excising a sore, simply cut that out.
And the plot lines are so simple. I’ve read
a few e-books recently that had almost no plot at all, other than the
hero-villain conflict. I suppose Hollywood
has done that to all of us. Their compressed story format has dramatically
shortened both our attention span and their linear range. Depending on who you
talk to, this plot simplification either distills the story to its purest
essential elements, or dumbs it down to its lowest common denominators.
I’m also surprised at the characters. They’re
so familiar. Regular guys working regular jobs, they’re thrown into
extraordinary situations. They’re fighting space aliens, taking on the Mob,
romancing the beauties, and saving the day. But they're just normal people! It used to be that the Everyman was
unusual. Now, everyone’s an Everyman. Are there no more exceptional characters,
or have they simply returned to their neverland of make-believe?
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